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scott eder gallery
fine art inspired by alternative comix and deviant media
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Brooklyn Paper writes about Crepax show

     Scott Eder Gallery is incredibly excited to bring the art of Guido Crepax (Milan, 1933-2003) to the United States for the very first time. Though for many years out of print in English, Italy’s Crepax and his female creation, Valentina, are widely known and beloved in European comics.
     Seamlessly weaving eroticism, fashion, music and film, Crepax began his comics career in the early 1960s, as the Italian art and comics world moved away from censorship and modesty and towards the expression of sexual freedom. Despite a degree in architecture, Crepax's earliest jobs were in graphics and advertising, from magazines, book design, and album illustrations, to stage sets and consumer design.
     But Crepax is best known for his comic book heroine, Valentina, based on his fascination with silent screen star Louise Brooks. Though she was created in 1965, Valentina has an “actual” birthdate -- December, 25, 1942 – and ages throughout her life on the page, in Crepax's characteristic kinetic and cinematic panel stylings. Strong and independent, yet sensual, Valentina works as a fashion photographer in Milan, though for the reader she lives somewhere between reality and fantasy, often succumbing to erotic and surrealist dreams and visions.
     Valentina stories have been printed and reprinted throughout the decades, though they can be frustratingly hard to find in English. Crepax's later creations, starring erotic heroines such as Anita, Belinda, Bianca... and his monster stories involving Frankenstein, Dracula, and Jekyll and Hyde are still more elusive here in the States, making the Scott Eder Gallery's exhibition incredibly significant. More than fifty pages of seminal Crepax illustrations from Valentina --and from most of his major books-- will be on display through April 22nd.

All images below can be enlarged with complete information. [Contact gallery for availability and pricing]
Originals are all fully FRAMED and the majority are 14.75 x 20" [cm 36 x 51], pen and ink on cardstock, unless otherwise stated.
Creation date listed if notably distinct from publication date.

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888 Newark Ave.
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